Principles of nature in product design

Authors

DOI:

https://doi.org/10.32972/dms.2021.014

Keywords:

Product design, Nature-inspired design, Mathematics in design, Geometry, Aesthetics

Abstract

Product designers should pay attention to many attributes of a product during design, however, studies have shown that besides the functionality, the aesthetically-pleasing appearance of products attracts consumers, and it has a significant effect on the buying process. Thus, it is efficient to know what geometries, colours, materials, etc., are pleasing to the human eye. This article deals with geometries that appear in nature since these forms are pleasing to many people of different generations and cultures and provide a sense of harmony. The hypothesis is that the usage of the mathematically describable principles of nature – such as Fractals, Golden Ratio, Fibonacci Sequence, Voronoi Diagram – could result in a betterlooking design that increases the success of the product, like in the cases of Stradivarius violin, Aston Martin, or Apple logo.

References

Huang, X., Ball, R., Wang, W. (2020). Comparative study of industrial design undergraduate education in China and USA. International Journal of Technology and Design Education, pp. 1–22. http://doi.org/10.1007/s10798-020-09563-4.

Costa Junior, J. da, Diehl, J. C., Secomandi, F. (2018). Educating for a systems design approach to complex societal problems. Journal of Engineering Design, 29, pp. 65–86, http://doi.org/10.1080/09544828.2018.1436162.

Norman, D. (2002). Emotion & design: attractive things work better. interactions, 9, pp. 36–42. http://doi.org/10.1145/543434.543435.

Hohl, M. (2009).Beyond the screen: visualizing visits to a website as an experience in physical space. Visual Communication, 8, pp. 273–284.

Qu, Y., Mao, X., Li, D. (2018). Research on the Role of Design Aesthetics in Modern Design. MATEC Web of Conferences. EDP Sciences, Vol. 176, p. 02012, http://doi.org/10.1051/matecconf/201817602012.

Mata, M. P., Ahmed-Kristensen, S., Brockhoff, P. B., Yanagisawa, H. (2017). Investigating the influence of product perception and geometric features. Research in Engineering Design, 28, pp. 357–379, http://doi.org/10.1007/s00163-016-0244-1.

Xenakis, I., Arnellos, A. (2013). The relation between interaction aesthetics and affordances. Design Studies, 34, pp. 57–73, http://doi.org/10.1016/j.destud.2012.05.004.

Park, M. K., Lim, K. J., Seo, M. K., Jung, S. J., Lee, K. H. (2014). Spatial augmented reality for product appearance design evaluation. Journal of Computational Design and Engineering, 2, pp. 38–46, [https://academic.oup.com/jcde/article-pdf/2/1/38/33133446/j.jcde.2014.11.004.pdf]. http://doi.org/10.1016/j.jcde.2014.11.004.

Singh, R., Seniaray, S., Saxena, P. (2020). A Framework for the Improvement of Frugal Design Practices. Designs, 4, p. 37.

Fu, Q., Chen, X., Su, X., Fu, H. (2016). Natural lines inspired 3D shape redesign. Graphical Models, 85, pp. 1–10.

Belma, A., Sonay, A. (2016). Fractals and Fractal Design in Architecture. 13th International Conference “Standardization, Protypes and Quality: A Means of Balkan Countries’ collaboration”, Vol. 17, pp. 282–291.

Benyetho, T., El Abdellaoui, L., Zbitou, J., Bennis, H., Tribak, A., Latrach, M. (2017). A new dual band planar fractal antenna for UMTS and ISM bands. Int. J. Commun. Antenna Propag. (I. Re. CAP), 7, pp. 64–71, http://doi.org/10.15866/irecap.v7i1.11261.

Mandelbrot, B. B. (1982). The Fractal Geometry of Nature. W. H. Freeman and Company, San Francisco, 1982.

McNally, J. (2010). Earth’s Most Stunning Natural Fractal Patterns. Wired. https://www.wired.com/2010/09/fractal-patterns-in-nature/.

TechnoCrazed. (2013). Incredible Examples Of Fractals Found In Nature (Photo Gallery). TechnoCrazed. https://www.technocrazed.com/incredibleexamples-of-fractals-found-in-nature-photo-gallery.

DeviantArt. (2020). Discover The Largest Online Art Gallery and Community.

Urbanist. (2016). Fractal Architecture: 14 Intricate Ceilings of Historic Iran. Web Urbanist, Architecture, Art, Design & Built Environments. https://weburbanist.com/2016/03/17/fractal-architecture-14-intricate-ceilings-of-historical-iran/.

Rogers, S. (2014). Algorithmic Architecture: 14 Complex Math-Based Structures. Web Urbanist, Architecture, Art, Design & Built Environments. https://weburbanist.com/2014/02/26/algorithmic-architecture-14-fractalparametric-structures/.

Hegde, P. (2017). Golden Ratio : What It Is And Why Should You Use It In Design. Prototypr. https://blog.prototypr.io/golden-ratio-what-it-is-and-whyshould-you-use-it-in-design-7c3f43bcf98.

Akhtaruzzaman, M., Shafie, A. A. (2011). Geometrical substantiation of Phi, the golden ratio and the baroque of nature, architecture, design and engineering. International Journal of Arts, 1, pp. 1–22, http://doi.org/10.5923/j.arts.20110101.01.

Meisner, G. (2014). Golden Ratio in Art Composition and Design. Golden Number. https://www.goldennumber.net/art-composition-design/.

Dömötör, Cs.; Péter, J. (2012). Design principles in nature. Design of Machines and Structures, 2, pp. 33–42.

Murali, S. (2012). Golden ratio in human anatomy. Department of Science and Technology, http://doi.org/10.13140/2.1.2265.9526.

Shannon, A. G., Klamka, I., Gend, R.v. (2018). Generalized Fibonacci Numbers and Music. Journal of Advances in Mathematics, 14, pp. 7564–7579, http://doi.org/10.24297/jam.v14i1.7323.

Jafari, S., Karbasbaf, M. M. (2017). A Geometrical Method for Sound-Hole Size and Location Enhancement in Lute Family Musical Instruments: The Golden Method. Arts, Multidisciplinary Digital Publishing Institute, Vol. 6, p. 20.

Meisner, G. (2014). Aston Martin, James Bond and the Golden Ratio. Golden Number. https://www.goldennumber.net/aston-martin-golden-ratio/.

Aston Martin, W.D. DB9 - The World’s Most Timeless Sports GT., 2020, https://www.astonmartinwashingtondc.com/?models=db9.

Asharul Khan, D. C. G. (2014). Exploring the Fibonacci Sequence. Dream 2047, 17, pp. 30–32.

Mundi, F. L. A. (2014). The Golden Ratio in classical music composition. Zero equals two. https://zeroequalstwo.net/the-golden-ratio-in-classical-music-composition/.

Oktaviani, A. N. (2020). Ajak Anak Mencintai Laut dengan Mengenalkan 9 Binatang Laut Ini. Orami. https://www.orami.co.id/magazine/ajak-anak-mencintai-laut-dengan-mengenalkan-9-binatang-laut-ini/.

Sierzputowski, K. (2014). Joni Niemelä’s Macro Photographs Capture Car nivorous Plants’ Alien-Like Structures. Colossal. https://www.thisiscolossal.com/2015/07/carnivorous-plants-joni-niemela/.

Figure, G. (2014). Fibonacci in Natures. Go Figure. https://gofiguremath.org/natures-favorite-math/fibonacci-numbers/fibonacci-in-nature/.

Myers, S. Patterns, (2012). Nature and Story. Go Into The Story. https:// gointothestory.blcklst.com/patterns-nature-and-story-180bba5466f0.

Leary, C. (2019). How the Golden Ratio Manifests in Nature. Treehugger. https://www.treehugger.com/how-golden-ratio-manifests-nature-4869736.

Nargi, L. (2020). 30 Photos of the Rarest Animals on Earth. Reader’s Digest. https://www.rd.com/list/rarest-animals-on-earth/.

Mongoven, C. (2010). A style of music characterized by fibonacci and the golden ratio. Congressus Numerantium, 201, pp.127–138.

Zahed, H. (2012). The Apple Logo. Hzahed, https://www.hzahed.com/post/The-Apple-Logo.

Pokojski, W., Pokojska, P. (2018). Voronoi diagrams–inventor, method, applications. Polish Cartographical Review, 50, pp. 141–150, http://doi.org/10.2478/pcr-2018-0009. Babes-Bolyai Tudományegyetem. Algoritmikus geometria, 2003.

Selimovic´, F., Stanimirovic´, P., Saracˇevic´, M., Selimi, A., Krtolica, P. (2020). Authentication Based on the Image Encryption using Delaunay Triangulation and Catalan Objects. Acta Polytechnica Hungarica, 17, pp. 207–224, http://doi.org/10.12700/APH.17.6.2020.6.12.

Place, S. M. (2015). Tessellation Patterns. http://www.spacemakeplace.com/tessellation-patterns/.

Sánchez, P. (2015). Returns clustering with k-Means algorithm. QuantDare, https://quantdare.com/k-means-algorithm/.

Golli, A. (2010). Voronoi-like shapes in nature. Genetic Algorithms and Evolutionary Computing in Architecture. http://genetichouse.blogspot.com/2010/08/voronoi-like-shapes-in-nature.html.

de Sousa, V. (2017). Interactive transmedia vs. voronoi diagram expressions. The 2017 International Science Fiction Prototyping Conference, European Technology Institute, pp. 13–18.

D’Agostino, S. (2019). Voronoi Tessellations and Scutoids Are Everywhere. Scientific American, https://blogs.scientificamerican.com/observations/voronoi-tessellations-and-scutoids-are-everywhere/.

Bazalo, F. (2020). Can voronoi division of space be used to optimise programatic volumes, structure and the distribution of facilities. http://fbazalo.weebly.com/parametric-shelter-development.html.

Dobashi, Y., Haga, T., Johan, H., Nishita, T. (2002). A Method for Creating Mosaic Images Using Voronoi Diagrams. Eurographics 2002, Short Presentations. Eurographics Association, http://doi.org/10.2312/egs.20021036

Levin, G. (2000). Segmentation and Symptom. https://flong.com/archive/projects/zoo/index.html.

CNN (2011). Stunning superyacht design inspired by nature’s hidden patterns. http://edition.cnn.com/2011/TECH/innovation/06/10/voronoi.concept.yacht/ index.html.

Architekten, F. (2011). Voronoi Chair. https://franken-group.com/projects/voronoi-chair?color=6150.0.147.

Turner, T. (2011). Yacht for Entertaining. Yanko Design. https://www.yankodesign.com/2011/04/15/yacht-for-entertaining/.

Downloads

Published

2021-11-30

How to Cite

Trautmann, L. (2021). Principles of nature in product design. Design of Machines and Structures, 11(2), 44–58. https://doi.org/10.32972/dms.2021.014